After cleaning up and changing his blood-stained shirt, Bond returned to the gaming table, and taunted Le Chiffre with an unsubtle, critical comment about his eye: "I won't consider myself to be in trouble until I start weeping blood." During a second break in the game, Bond found Vesper sitting under the shower in their suite's bathroom, clearly distraught over helping to kill Obanno ("It's like there's blood on my hands, it's not coming off"). Bond assured and comforted her by kissing her hand. During the next day's game, Bond lost everything in his initial stake when he called Le Chiffre's suspected bluff - he lost a full house to four jacks. When he requested another $5 million to buy back in, Vesper refused, claiming his ego and recklessness made him lose ("You lost because of your ego and that same ego can't take it...All you're going to do now is lose more"). He called her "a bloody idiot." Desperate, Bond grabbed a table knife and pursued Le Chiffre to the hotel entrance to stab him to death, but he was restrained by CIA agent Felix Leiter (Jeffrey Wright), a fellow player who introduced himself on the stairway as a "brother from Langley." Leiter proposed to stake Bond with enough funds to reenter the tournament, in exchange for having the CIA bring in Le Chiffre.

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David Leigh founded The James Bond Dossier in 2002. A fan of 007 since the age of 8, he is also author of The Complete Guide to the Drinks of James Bond. You can order a copy here if you don't own it already.

MI6 operative James Bond earns his "licence to kill" and promotion to 00 agent status by assassinating the traitorous Dryden and his contact in Prague. In Uganda, Mr. White introduces Steven Obanno, a high-ranking member of the Lord's Resistance Army, to Le Chiffre, an Albanian private banker to terrorists. Obanno entrusts Le Chiffre with $100 million to invest. Using knowledge of his upcoming terrorist attack on aerospace manufacturer Skyfleet, Le Chiffre shorts the company's stock.

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To capture the intensity of each hand, Campbell followed Baird’s early advice. He and his assistant director mapped out camera placements hours before action was called, eventually grabbing numerous angles and reactions in master shots and close-ups. "You’re changing the variety so you maintain the interest from an audience point of view," Baird says. Campbell also had to be aware of continuity, and used crew members to fill in for players between takes so he could determine his next shot. "When I called cut, you would have to go back to a certain point, and everybody’s chips had to be put back, all the cards had to be relayed," he says. With so many players and cross-cuts, he made it a priority to establish the geography of the table. "It’s a film-school exercise to put 10 people around a table all looking at one another, giving a lesson in eye-lines and the way they’re reacting to one another. You just slog through it."

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